Sometimes Fame comes In Life | Vijay Pandey Exclusive Bollywood Stories
हिंदी फ़िल्म जगत में 80 के दशक में कई अभिनेत्रियां ऐसी हुई थी जिन्होंने बॉलीवुड के राज किया और अपनी पहचान अलग बनाई। लेकिन कुछ अभिनेत्रियां ऐसे हुई थी जो गुमनामी की ज़िंदगी जी रही हैं। चलिए जानते हैं ऐसे ही कुछ अभिनेत्रियों के बारे में। 40 साल तक सिनेमा जगत पर राज करने वाली एक्ट्रेस माला सिंह के बारे में कुछ बातें जानते हैं बॉलीवुड में माला सिन्हा के चाहने वाले कम नहीं थे। वह 80 के दशक में दर्शकों के दिलों पर राज किया करती थी। उनकी एक्टिंग और गायिका के लोग दीवाने थे।आपको बता दे ऐक्ट्रेस ने कुछ ऐसा कर दिया जिसके बाद इंडस्ट्री ही नहीं बल्कि एक्टर्स के फैन भी हैरान गो गए। माला सिन्हा के घर के बाथरूम में लाखों रुपया मिले थे और जब ये बात लोगों को पता चली तो वह दंग रह गए। माला के बारे में यह अनसुनी किस्सा के बारें में हम आज आपको बताने जा रहे हैं।
Mala Sinha started her career as child artist in Bengali films – Jai Vaishno Devi followed by Shri Krishan Leela, Jog Biyog and Dhooli. Noted Bengali director Ardhendu Bose saw her acting in a school play and took permission from her father to cast her as a heroine in his Bengali film Roshanara (1952), her cinematic debut.
After acting in a couple of films in Calcutta, Mala Sinha went to Bombay for a Bengali film. There she met Geeta Bali, a noted Bollywood actress, who was charmed by her and introduced her to director Kidar Sharma. Sharma cast her as a heroine in his Rangeen Ratein. Her first Hindi film was Badshah opposite Pradeep Kumar, then came Ekadashi, a mythological film opposite Trilok Kapoor. Both films did not do well, but her lead role in Kishore Sahu's Hamlet, paired opposite Pradeep Kumar, fetched her rave reviews in spite of it failing at the box office. Films such as Lai Batti (actor Balraj Sahni's only directorial venture), Nausherwan-E-Adil where she starred as the fair maiden Marcia in Sohrab Modi's romance about forbidden love and Phir Subah Hogi, which was director Ramesh Saigal's adaptation of Dosteovsky's Crime and Punishment established Mala Sinha's reputation as a versatile actress who took the maximum career risks by accepting unconventional roles.
She used to sing for All India Radio; she was not allowed to sing playback (even for herself) in the movies with the lone exception being 1972's Lalkar.[7] In the 1950s, she had string of hits opposite Pradeep Kumar such as Fashion (1957), Detective (1958) and Duniya Na Mane (1959). The films she did with Pradeep Kumar were men-oriented. In 1957, noted Bollywood actor and director Guru Dutt cast Mala Sinha in his film Pyaasa (1957) in a role originally intended for Madhubala. Mala Sinha performed in the relatively unsympathetic part of an ambitious woman who chooses to marry a rich man (played by actor Rehman) and have a loveless marriage, rather than a poor, unsuccessful poet; her impoverished lover (played by Guru Dutt) whom she ditches. Pyaasa remains to this day a classic in the history of Indian cinema and a turning point for Sinha.
After Pyaasa, her major successe
